Summary of “Inside the Facility Where Kodak Brings Film Back to Life”

The elevators in Building 30, where Kodak blends film chemicals, help workers’ eyes get used to the conditions that light-sensitive compounds demand.
Learning to work with the fussy animal-derived material is what spurred Kodak founder George Eastman to create the film giant’s research arm in the late 1800s.
The 52-inch-wide film rolls pass through a coating waterfall, a cooler, and a dryer.
Kodak paints the airtight containers flat black on the inside, and seals them with collars to ensure no light can seep in and prematurely expose the film.
This device, which Kodak calls “The heart,” punches holes in the edges of the film so sprockets inside a camera can crank through exposures.
During production, Kodak uses night-vision cameras to monitor the film for irregularities such as uneven application or breaks.
The final film goes on to the packaging area, where a machine wraps it around plastic spools like these.
The machine at left funnels empty metal film cans via conveyor belt toward the last packaging step-inserting rolls into their canisters.

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